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Synebridge Soundworks
Sunday, February 28, 2016
Slate Digital - FG-N - High Shelf
1. Null
2. High Shelf - 2 db boost
3. High Shelf - 4 db boost
4. High Shelf - 6 db boost
5. High Shelf - 8 db boost
6. High Shelf - 10 db boost
7. High Shelf - 12 db boost
8. High Shelf - 16 db boost
9. High Shelf - 2 db cut
10. High Shelf - 4 db cut
11. High Shelf - 6 db cut
12. High Shelf - 8 db cut
13. High Shelf - 10 db cut
14. High Shelf - 12 db cut
15. High Shelf - 16 db cut
TDR VOS Slick EQ - American Model Curves
Slick EQ features some interesting filter design. The signal gain is inverted beyond the range of the bell/shelf, as displayed by the images below. This is a side effect of many hardware equalizers, and may contribute to the quality of this great-sounding unit.
The output stage has no influence on the curves, nor is it tied in any way to the different model types. It merely applies some harmonic distortion to the signal. Linear is very clean and applies virtually no extra harmonic content. The plots of the distortion can be found at the bottom of this post.
The EQ SAT function applies a subtle "smile" boost to the current EQ shape.
1. High Band shelf - 10 kHz - 3 db boost
2. High Band shelf - 10 kHz - 6 db boost
3. High Band shelf - 10 kHz - 12 db boost
4. High Band shelf - 10 kHz - 18 db boost
5. High Band shelf - 10 kHz - 3 db cut
6. High Band shelf - 10 kHz - 6 db cut
7. High Band shelf - 10 kHz - 12 db cut
8. High Band shelf - 10 kHz - 18 db cut
9. Mid Band - 2 kHz - 2 db boost
10. Mid Band - 2 kHz - 4 db boost
11. Mid Band - 2 kHz - 8 db boost
12. Mid Band - 2 kHz - 18 db boost
13. Mid Band - 2 kHz - 2 db cut
14. Mid Band - 2 kHz - 4 db cut
15. Mid Band - 2 kHz - 8 db cut
16. Mid Band - 2 kHz - 18 db cut
17. Low Band - 100 Hz - 3 db boost
18. Low Band - 100 Hz - 6 db boost
19. Low Band - 100 Hz - 12 db boost
20. Low Band - 100 Hz - 18 db boost
21. Low Band - 100 Hz - 3 db cut
22. Low Band - 100 Hz - 6 db cut
23. Low Band - 100 Hz - 12 db cut
24. Low Band - 100 Hz - 18 db cut
25. HP Filter 22 Hz
26. HP Filter - 33 Hz
27. HP Filter - 48 Hz
28. HP Filter - 60 Hz
29. HP Filter - 80 Hz
30. HP Filter - 120 Hz
31. Output Stage - Deep
32. Output Stage - Funky
33. Output Stage - Mellow
34. Output Stage - Silky
35. Output Stage - Linear
The output stage has no influence on the curves, nor is it tied in any way to the different model types. It merely applies some harmonic distortion to the signal. Linear is very clean and applies virtually no extra harmonic content. The plots of the distortion can be found at the bottom of this post.
The EQ SAT function applies a subtle "smile" boost to the current EQ shape.
1. High Band shelf - 10 kHz - 3 db boost
2. High Band shelf - 10 kHz - 6 db boost
3. High Band shelf - 10 kHz - 12 db boost
4. High Band shelf - 10 kHz - 18 db boost
5. High Band shelf - 10 kHz - 3 db cut
6. High Band shelf - 10 kHz - 6 db cut
7. High Band shelf - 10 kHz - 12 db cut
8. High Band shelf - 10 kHz - 18 db cut
9. Mid Band - 2 kHz - 2 db boost
10. Mid Band - 2 kHz - 4 db boost
11. Mid Band - 2 kHz - 8 db boost
12. Mid Band - 2 kHz - 18 db boost
13. Mid Band - 2 kHz - 2 db cut
14. Mid Band - 2 kHz - 4 db cut
15. Mid Band - 2 kHz - 8 db cut
16. Mid Band - 2 kHz - 18 db cut
17. Low Band - 100 Hz - 3 db boost
18. Low Band - 100 Hz - 6 db boost
19. Low Band - 100 Hz - 12 db boost
20. Low Band - 100 Hz - 18 db boost
21. Low Band - 100 Hz - 3 db cut
22. Low Band - 100 Hz - 6 db cut
23. Low Band - 100 Hz - 12 db cut
24. Low Band - 100 Hz - 18 db cut
25. HP Filter 22 Hz
26. HP Filter - 33 Hz
27. HP Filter - 48 Hz
28. HP Filter - 60 Hz
29. HP Filter - 80 Hz
30. HP Filter - 120 Hz
31. Output Stage - Deep
32. Output Stage - Funky
33. Output Stage - Mellow
34. Output Stage - Silky
35. Output Stage - Linear
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